Posts by Juli McLoone

“Beauty and the Beast” is one of the most popular and frequently republished fairy tales. While it has roots and antecedents in animal groom folklore and classical mythology, such as the tale of Cupid and Psyche, the specific characters and narrative elements that compose the tale we know as “Beauty and the Beast” have their origin in the literary fairy tale “La Belle et la Běte” written in 1740 by Madame Gabrielle-Suzanne de Villeneuve.

The audience for children’s literature goes far beyond ages 2-12. The words and images of these books linger in our minds long after we’ve outgrown the suggested age ranges. Below are a few favorite children’s books from the staff of the Special Collections Library, featuring titles present in our Children’s Literature Collection. Celebrate Children’s Book Week with one of these suggestions, or share your own best-loved books in the comments!

The exhibit Shakespeare on Page and Stage: A Celebration (Audubon Room, January 11-April 27, 2016) showcases both the textual and performance history of Shakespeare’s plays. This post looks at a particularly dramatic instance of Shakespeare forgery in the late eighteenth century. William Henry Ireland, the son of publisher and Shakespeare collector Samuel Ireland. Samuel and William Henry Ireland had a relationship that was strained at best, and as a young man, William Henry wished desperately to please and impress the elder Ireland. And indeed Samuel Ireland was very pleased when his son began bringing home manuscript material in Shakespeare’s hand, supposedly from the home of a gentleman who wished to remain anonymous.

As part of the ongoing series of events commemorating the 400th anniversary of Shakespeare's death this term, join us on Thursday, April 7th for a lecture by Professor Joseph Loewenstein at 4:00pm in the Hatcher Gallery.

The exhibit Shakespeare on Page and Stage: A Celebration (Audubon Room, January 11-April 27, 2016) showcases both the textual and performance history of Shakespeare’s plays. This post looks in greater detail at the work of costume and set designer Zelma Weisfeld, professor of Theatre and Drama at the University of Michigan from 1960-1988. During those 28 years, Weisfeld contributed to more than 120 theatre and opera productions, including several Shakespeare plays.

As part of the ongoing series of events commemorating the 400th anniversary of Shakespeare's death this term, join us tonight (March 15th) for a live performance from the School of Music, Theatre & Dance from 5:00-7:00pm in the Hatcher Gallery.

March 14th (3/14) is celebrated around the world as Pi Day because the Greek letter ㄫ or pi, which is used to represent the ratio of the circumference of a circle to its diameter, rounds to approximately 3.14. By happy coincidence, Pi is a homophone of Pie, and so 3/14 is also the perfect opportunity to enjoy baking (and eating) sweet and savory circular pastries. Below we share three recipes from the 1866 edition of Mrs. Beeton’s Book of Household Management.

As Black History Month comes to a close, we highlight Malinda Russell’s A Domestic Cook Book: Containing a Careful Selection of Useful Receipts for the Kitchen. Published in Paw Paw, Michigan in 1866, A Domestic Cook Book... is the oldest known cookbook authored by an African American, and the Janice Bluestein Longone Culinary Archive holds the only known copy. This past year, a digital facsimile of this important work was made available through Hathi Trust.

The exhibit Shakespeare on Page and Stage: A Celebration (Audubon Room, January 11-April 27, 2016) showcases both the textual and performance history of Shakespeare’s plays. With this post, we focus in greater detail on Paul Robeson’s performance as Othello in Ellen Van Volkenburg and Maurice Browne’s 1930 London production at the Savoy Theater.

The exhibit Shakespeare on Page and Stage: A Celebration (Audubon Room, January 11-April 27, 2016) showcases both the textual and performance history of Shakespeare’s plays. This post will be the first of a series exploring specific productions in greater detail than the limited physical space of an exhibition allows. Today, we share additional material from Ellen Van Volkenburg's early 20th century marionette production of A Midsummer Night's Dream.