Posts tagged with exhibits

The Special Collections Research Center is pleased to announce a new exhibit, Circulating the Avant-Garde: Aesthetic Counter-Publics in the Little Magazines, 1890-1920. This exhibit was curated by Kayla Grant, PhD candidate in English literature.

The Special Collections Research Center is thrilled to announce the opening of our latest exhibit, “A Revolution Worth Having: Emma Goldman at 150,” on view from June 3rd to August 1st. This exhibit pays tribute to one of the most distinctive figures represented in our collection, and is dedicated to the memory of the friends and comrades who have nourished and sustained the relationship between Emma and the Labadie Collection over the years.

The Special Collections Research Center is pleased to announce the opening of a new exhibit, Divide & Clothe: Illustrating Fashion in Nineteenth-Century Europe. The exhibit was curated by Isabelle Gillet and Courtney Wilder, two PhD candidates in History of Art. Please join us at 4:30pm on Tuesday, June 11 for a lecture and reception in the Hatcher Gallery.

How did prominent east coast poets like Allen Ginsberg, Ted Berrigan, and Anne Waldman end up contributing their work to The Alternative Press, a small press based in Michigan? It all started with John Sinclair.

Join filmmaker Nancy Savoca at a symposium celebrating her career on Friday, May 10. The symposium will include several panels, an exhibit opening, and film screenings.

What would you do with 500 blank postcards? For contributors to The Alternative Press, the answers varied. Some hand-wrote poetry on their cards. Some made images--by painting, drawing, collaging, or pasting photographs onto paper. Some embraced the postcard format, while others challenged it--for example, Carol Steen made all of her postcards in brass, a playful take on the form you could never actually use them to mail a message to a friend.

We are pleased to announce the launching of our most recent Omeka exhibit: Marks in Books. In this online exhibit, the term "marks" refers to physical elements that have been added to manuscripts and early printed books throughout time, that is, from the instance when they were being made until they arrived to our shelves. Mostly, these marks were not intended by the authors, scribes and printers as they originally envisioned their books, but were later included in the form of corrections, readers' marginalia, drawings, and traces of subsequent ownerships as shown in bookplates and bindings. These marks are extraordinary witnesses offering unique information on various aspects of book history such as production, textual transmission, reception, and provenance history.

The Special Collections Research Center is pleased to announce the opening of a new exhibit, Free Poems and Functional Art: 50 Years of The Alternative Press. This exhibit celebrates the 50th anniversary of the founding of The Alternative Press, an experimental small press publisher in Michigan.

Join us on Tuesday, 12 February for our next After Hours open house event! This month we'll explore the materiality of books and manuscripts. Come "read" these objects with us from 4-7 on the 6th floor of Hatcher!

To help conclude our 10th anniversary celebrations, we wanted to highlight an online exhibit that we originally put together five years ago called CVGA Disassembled. It summarizes many of the different generations of game systems, and how they've evolved since they first became popular in the late 1970s and early 1980s. It also takes a look at how game systems have evolved on the inside, including several images of partially disassembled game systems in each game generation.