Posts by Pablo Alvarez

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Copper-plate engraving of a "muscle man" from Andreas Vesalius (1514-1564). De humani corporis fabrica libri septem (Basel: Johannes Oporinus, 1543).
  • Pablo Alvarez
Join us today for our December Special Collections After Hours open house! You are all invited to explore a great variety of early printed books containing illustrations of the human body that reflect the science of dissection as well as the latest artistic theories in early modern Europe. The display will include richly illustrated treatises by well-known authors such as Leonardo da Vinci and Andreas Vesalius. Refreshments.
Time: 4:00-6:00 pm.
Location: Special Collections Research Center. Hatcher Library Room 660D
Title page of Gilbert Genebrand. ΕΙΣΑΓΟΓΗ Gilb. Genebrardi theologi parisiensis, divinarum hebraicarumque literarum professoris regii. Ad legenda & intelligenda Hebraeorum & Orientalium  sine punctis scripta (Paris: Aegidius Gorbinius, 1587)
  • Pablo Alvarez
I recently came across this sixteenth-century introductory manual designed to teach Christian biblical scholars how to read and understand works in Hebrew and other Oriental languages without punctuation and stress marks. But what makes our copy remarkable is that the names of well-known Protestant scholars, and other infidels, have been carefully crossed out, that is, expurgated, following the Inquisition's recommendations to censor authors considered heretical according to the teachings of the Church of Rome.
Upper part of Mich. Ms. f. 14r. Leaf fragment containing Hrabanus Maurus' De rerum naturis, 14, 27. Parchment. 210 x 150 mm. Spain. 14th c. Special Collections Research Center (University of Michigan Library)
  • Pablo Alvarez
When searching for manuscripts of Hrabanus Maurus' medieval encyclopedia De rerum naturis (On the Natures of Things) in the database Digital Scriptorium, I came across a leaf fragment held at Columbia University Libraries (Plimpton MS 128 ) which, in terms of its handwriting and style of illumination, was clearly connected to a leaf fragment held at the University of Michigan Library (Mich. Ms. f. 14).
Copperplate engraving from Trattato della Pittura di Lionardo da Vinci. Trato da un Codice della Biblioteca Vaticana e dedicato alla Maestá di Luigi XVIII Re di Francia e di Navarra (Rome: Stamperia de Romanis, 1817)
  • Pablo Alvarez
According to Giorgio Vasari’s biographies, The Lives of the Most Excellent Italian Architects, Painters, and Sculptors, Leonardo da Vinci died on May 2, 1519. As museums around the world are commemorating the 500th anniversary of the death of Leonardo with various exhibits, we would like to join the celebrations of Leonardo’s legacy by highlighting our copies of some early printed editions of his Trattato della Pittura (Treatise on Painting).
Copperplate engraving of the heart from Jean Baptiste Senac (1693-1770) Traitè de la structure du Coeur, de son action, et de ses maladies (Paris: Jacques Vincent, 1749)
  • Pablo Alvarez
On behalf of the University of Michigan Library we want to express our most sincere gratitude to Marty and Marilyn Lindenauer for their generous donation that allowed us to acquire a series of books and artifacts for our History of Medicine Collection.
Spine and front cover of Gulielmus Durandus (ca. 1230-1296) et alii. [Tractatus varii] Paper. Germany 15th c.
  • Pablo Alvarez
We are pleased to announce the launching of our most recent Omeka exhibit: Marks in Books. In this online exhibit, the term "marks" refers to physical elements that have been added to manuscripts and early printed books throughout time, that is, from the instance when they were being made until they arrived to our shelves. Mostly, these marks were not intended by the authors, scribes and printers as they originally envisioned their books, but were later included in the form of corrections, readers' marginalia, drawings, and traces of subsequent ownerships as shown in bookplates and bindings. These marks are extraordinary witnesses offering unique information on various aspects of book history such as production, textual transmission, reception, and provenance history.
Folio 121v from Nicolaus Copernicus (1473-1543). Nicolai Copernici Torinensis de revolutionibus orbium coelestium, Libri VI (Nuremberg: Johannes Petreius, 1543)
  • Pablo Alvarez
You are invited to see highlights from the library's extraordinary collection of manuscripts and early printed books describing the early history of astrology and astronomy. Mark your calendars for this Tuesday (3/12/19; 4:00-7:00 pm). The selection will range from ancient papyri to richly illustrated books that made possible the scientific revolution in Europe in the sixteenth and seventeenth centuries, including first editions of the works of Copernicus, Galileo, and Kepler.
Folio 1r from Horace (65-8 BC). Ars Poetica & Epistulae. Parchment. Italy. 15th c.
  • Pablo Alvarez
When cataloging this fifteenth-century Italian manuscript, I saw that some of the pages have been damaged by brushing a chemical reagent on some areas that were difficult to read. While in the short term this substance was designed to make traces of ink more legible, the long-term impact on the manuscript is disastrous as shown in the image below.
Woodcut depicting Saint Fridolin from Saints et Saintes issus de la famille de l’empereur Maximilien I (Vienna: F. X. Stöckl, 1799)
  • Pablo Alvarez
This 1799 edition of The Images of Saints from the family of the Emperor Maximilian I (1459-1519) contains for the very first time an almost complete series of the woodcuts that were originally commissioned by Maximilian I to illustrate the legends, history and genealogy of earlier saints claimed to be connected to the House of Habsburg.
Model of Scheide Codex, Egypt, 4th-5th century (Scheide Library, Princeton University)
  • Pablo Alvarez
Visit us on the sixth floor of the Hatcher Library to see this exciting exhibit! It consists of a selection of historical bookbinding models from the personal collection of conservator and scholar, Julia Miller. In 2015 and 2016, Julia bequeathed her extensive model collection to the Special Collections Research Center. Now named as The Julia Miller Collection of Bookbinding Models, it includes binding replicas of ancient and medieval manuscripts in various materials and formats, including a variety of Graeco-Roman tablet models, Coptic codices from the 3rd to the 10th century AD, and medieval European, Near Eastern, and Islamic binding models from the 12th to the 17th century.