Posts by Pablo Alvarez

A day like today, on April 22 , Miguel de Cervantes Saavedra died in Madrid four hundred years ago. To commemorate this date, I have revisited our collection of early editions of Cervantes's works, selecting for this post the eighteenth-century edition of Don Quixote that played a major role to canonize Cervantes as a global literary figure.

Please join Rebecca Chung (UMSI), Fritz Swanson (Wolverine Press), and Justin Schell (Shapiro Design Lab), for conversation about the Wolverine Press's edition of a famous sheet of paper: the G gathering from the Q2 (second quarto) of Hamlet, which includes Hamlet’s “To be, or not to be” speech, his repudiation of Ophelia with “Get thee a Nunry,” and his speech to the players, “sute the action to the word.”

Our featured book is a copy of the second edition of the famous sixteenth-century blood-letting treatise for barber-surgeons, Discourses of Pietro Paolo Magni of Piacenza on how to bleed, attach leeches and cups, perform massages and blistering to the human body (Discorsi di Pietro Paolo Magni piacentino sopra il mondo di sanguinare, attaccar le sanguisugue, & le ventose far le fregagione & vessicatorij a corpi humani). It was published in Rome in 1586.

We are very pleased to announce the recent acquisition of an exquisitely illuminated parchment manuscript written in the Southern Netherlands in the sixteenth century. The manuscript is a Lectionary, one of the liturgical books used for the so-called Divine Office of the Church.

An extraordinary project is currently taking shape at the Wolverine Press, the letterpress studio at the University of Michigan. Led by Rebecca Chung (UMSI) and Fritz Swanson (Wolverine Press), a team of U of M students is working on a handset edition based on the G gathering from the second quarto of Hamlet, published in 1604 and conventionally known as Q2. In this gathering you can read what is probably the most famous soliloquy Shakespeare ever wrote: “To be, or not to be". In brief, the students are recreating the old printing technique of setting the type as a compositor would have done it in the seventeenth century.

We are pleased to announce the opening of a new exhibit from the Special Collections Library: Shakespeare on Page and Stage: A Celebration (Audubon Room, January 11-April 27, 2016). The exhibit is a historical journey through different versions of Shakespeare’s plays as they were edited for publication or interpreted for the stage. Starting with the Second Folio (1632), our display includes a selection of landmark editions by authors and scholars like John Dryden, Nicholas Rowe, Alexander Pope, Samuel Johnson, and Edmond Malone. It explores the staging and costuming of productions such as Charles Kean’s archaeologically-informed, elaborately-costumed 1856 production of The Winter’s Tale, and Maurice Browne-Ellen Van Volkenburg 1930 production of Othello, casting Paul Robeson as the first black actor to play Othello on the London stage in a century. It also includes an extraordinary multi-media feature in the form of a selection of video clips of famous film adaptation of Shakespeare's plays.

As part of the upcoming exhibit "Shakespeare on Page and Stage: A Celebration" (Audubon Room, January 11- April 27) we decided to include a facsimile version of a quarto gathering based on a real seventeenth-century quarto edition of a play held at the Special Collections Library: The tempest, or, The enchanted island. A comedy. As it is now acted at Their Majesties theatre in Dorset-Garden (London: H. Herringman, 1690), edited by John Dryden & William Davenant. Read the rest of this blog post if you wish to learn more about what a quarto is and how the folks from the Wolverine Press printed this replica.

We have recently purchased an extremely rare illustrated history of Spain. It consists of just twenty-four oblong leaves (152 x 262 mm), each of them containing six illustrations with their respective descriptive narratives below. Each of these pairs highlights important events in Spanish history from Antiquity until the reign of Philip V (1700-1746). There is no letterpress involved in the making of this book. The rectos of the pages have been entirely designed and printed by using the process of copperplate engraving.

We have recently purchased this very rare Japanese book on surgery for our History of Medicine Collection, which is particularly comprehensive on the history of surgery from the Middle Ages throughout the Renaissance. Since our holdings on this subject mainly focus on Western medicine, this Japanese imprint is a long overdue addition, being an extraordinary witness of one of many cultural exchanges between Japan and Europe from the sixteenth century onward.

We just hosted our annual donors' reception in the newly renovated space of the Taubman Library last Thursday! As always, it was a great opportunity to express our gratitude to all our friends for having supported the University of Michigan Library throughout the years.