Posts by Pablo Alvarez

Around 1511, the Dutch Catholic humanist, Erasmus of Rotterdam (1466-1536), began working on an edition and Latin translation of the Greek New Testament, for which he thoroughly compared the text of several Greek manuscripts with Jerome's fourth-century Latin translation of the Bible, the so-called Vulgate.

We are very pleased to announce a new online exhibit from the Special Collections Library: Shakespeare on Page and Stage: A Celebration. It is a virtual record of the physical exhibit that took place in the Audubon Room of the Hatcher Library from January 11 to April 27, 2016. As the title playfully suggests, the exhibit is a historical journey through different versions of Shakespeare’s plays as they were edited for publication or interpreted for the stage.

We are very pleased to announce the opening of a new exhibit at the Special Collections Library. The display showcases recent acquisitions that strengthen our extraordinary holdings in the areas of radical literature, transportation history, film, rare books, culinary history, Islamic manuscripts, children's literature, and Judaica.

A day like today, on April 22 , Miguel de Cervantes Saavedra died in Madrid four hundred years ago. To commemorate this date, I have revisited our collection of early editions of Cervantes's works, selecting for this post the eighteenth-century edition of Don Quixote that played a major role to canonize Cervantes as a global literary figure.

Please join Rebecca Chung (UMSI), Fritz Swanson (Wolverine Press), and Justin Schell (Shapiro Design Lab), for conversation about the Wolverine Press's edition of a famous sheet of paper: the G gathering from the Q2 (second quarto) of Hamlet, which includes Hamlet’s “To be, or not to be” speech, his repudiation of Ophelia with “Get thee a Nunry,” and his speech to the players, “sute the action to the word.”

Our featured book is a copy of the second edition of the famous sixteenth-century blood-letting treatise for barber-surgeons, Discourses of Pietro Paolo Magni of Piacenza on how to bleed, attach leeches and cups, perform massages and blistering to the human body (Discorsi di Pietro Paolo Magni piacentino sopra il mondo di sanguinare, attaccar le sanguisugue, & le ventose far le fregagione & vessicatorij a corpi humani). It was published in Rome in 1586.

We are very pleased to announce the recent acquisition of an exquisitely illuminated parchment manuscript written in the Southern Netherlands in the sixteenth century. The manuscript is a Lectionary, one of the liturgical books used for the so-called Divine Office of the Church.

An extraordinary project is currently taking shape at the Wolverine Press, the letterpress studio at the University of Michigan. Led by Rebecca Chung (UMSI) and Fritz Swanson (Wolverine Press), a team of U of M students is working on a handset edition based on the G gathering from the second quarto of Hamlet, published in 1604 and conventionally known as Q2. In this gathering you can read what is probably the most famous soliloquy Shakespeare ever wrote: “To be, or not to be". In brief, the students are recreating the old printing technique of setting the type as a compositor would have done it in the seventeenth century.

We are pleased to announce the opening of a new exhibit from the Special Collections Library: Shakespeare on Page and Stage: A Celebration (Audubon Room, January 11-April 27, 2016). The exhibit is a historical journey through different versions of Shakespeare’s plays as they were edited for publication or interpreted for the stage. Starting with the Second Folio (1632), our display includes a selection of landmark editions by authors and scholars like John Dryden, Nicholas Rowe, Alexander Pope, Samuel Johnson, and Edmond Malone. It explores the staging and costuming of productions such as Charles Kean’s archaeologically-informed, elaborately-costumed 1856 production of The Winter’s Tale, and Maurice Browne-Ellen Van Volkenburg 1930 production of Othello, casting Paul Robeson as the first black actor to play Othello on the London stage in a century. It also includes an extraordinary multi-media feature in the form of a selection of video clips of famous film adaptation of Shakespeare's plays.

As part of the upcoming exhibit "Shakespeare on Page and Stage: A Celebration" (Audubon Room, January 11- April 27) we decided to include a facsimile version of a quarto gathering based on a real seventeenth-century quarto edition of a play held at the Special Collections Library: The tempest, or, The enchanted island. A comedy. As it is now acted at Their Majesties theatre in Dorset-Garden (London: H. Herringman, 1690), edited by John Dryden & William Davenant. Read the rest of this blog post if you wish to learn more about what a quarto is and how the folks from the Wolverine Press printed this replica.