Posts tagged with Rare Illustrated Books in Blog Beyond the Reading Room

We are pleased to report about our recent acquisition of the first edition of Alessandro Vellutello’s influential commentary on Dante Alighieri’s Divine Comedy, which was published by Francesco Marcolini da Forlì in Venice in 1544. Undeniably, this edition marked a significant shift in the history of the iconography and reception of Dante’s poem, departing from the previous allegorical interpretations by Cristoforo Landino and Girolamo Benivieni, and challenging Antonio Manetti’s reconstruction of the topography of Hell as described by Dante.

This blog post features an extraordinary well-preserved copy of what is perhaps one of the earliest extant drawing manuals that were published in Western Europe in the first half of the seventeenth century. Its author is Odoardo Fialetti, an Italian artist whose professional life flourished in Venice at the end of the sixteenth century; Fialetti had access to Tintoretto’s workshop, eventually becoming an accomplished copperplate engraver. While more than 200 engravings are attributed to him, Fialetti is best known for the illustrations he created for his two drawing manuals published in Venice in 1608 and 1609. Indeed, these two manuals became extremely popular among young artists, having a considerable impact on subsequent European manuals of this type published throughout the seventeenth and eighteenth centuries. In a few words, a drawing manual consisted of a collection of images of the human body that served as models for young apprentices; these illustrations represented the body in full or in sections, and were arranged in increasing difficulty. Essentially, these manuals were self-taught guides and, since they were meant to be heavily used as opposed to be shelved merely for reference, currently they are rarely found at libraries, museums, or private collections.